Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Giovanni Battista Gaulli Called Baccicio
The Worship of the Holy Name of Jesus, with Gianlorenzo Bernini, on the ceiling of the nave of the Church of the Jesus in Rome.
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ID: 58992

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Giovanni Battista Gaulli Called Baccicio The Worship of the Holy Name of Jesus, with Gianlorenzo Bernini, on the ceiling of the nave of the Church of the Jesus in Rome.


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Giovanni Battista Gaulli Called Baccicio

Genoa 1639-Rome 1709  Related Paintings of Giovanni Battista Gaulli Called Baccicio :. | Oratorio di Santa Maria Maddalena, | The Worship of the Holy Name of Jesus, with Gianlorenzo Bernini, on the ceiling of the nave of the Church of the Jesus in Rome. | St John the Baptist Preaching (mk05) | Continence of Scipio | St John the Baptist |
Related Artists:
Virgilio Guidi
1891-1928 Virgilio Guidi Gallery
AMIGONI, Jacopo
Italian Rococo Era Painter, ca.1682-1752 He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available. From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher. In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.
MORONI, Giovanni Battista
Italian Mannerist Painter, ca.1520-1578 .Italian painter. He was the most significant painter of the 16th-century school of Bergamo and is best known for his portraits, which feature a naturalistic rendering of both faces and costume and an objective approach to character.






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